2021-2022 Course List

Study and analysis of the techniques, thematic conventions, and cultural and historical contexts of major film genres including the western, the musical, crime, melodrama, science fiction, and gangster. Films will include a mix of classic and contemporary examples.

Goal Areas:

GE-06

Course will explore specialized topics in film; may be repeated under a different topic.

Goal Areas:

GE-06

Studies analytical film language in several different film writing forms, including short and long-form reviews, collaborative analysis, and formal critical essays. Emphasizes social and critical contexts needed for film analysis and practice of writing in these film forms.

Goal Areas:

GE-06

Introduces fundamentals of film production: writing, producing, directing, lighting, shooting, and editing, through lecture, critiquing the work of other filmmakers, and hands on production. By the end of this course students will be ready to puruse their own film projects.

Goal Areas:

GE-06, GE-11

This course introduces students to the history of independent filmmaking. It includes the close analysis and study of films and filmmakers in United States independent cinema and in independent cinemas across the globe. The focus is on films made outside of the Hollywood economic model of filmmaking. The student will learn how to conduct historical research in independent filmmaking and how to critically analyze independent films.

Designed for students who have prior experience and want to make an experimental, narrative and/or documentary film. Students will move from screenplay/proposal to production and post production of short films. Pre-req: ENG 217 or permission of instructor. May be repeated.

Prerequisites:

FILM 217 or permission of instructor

Introduces students to film from a variety of world cultures. Designed to increase knowledge of world cultures and appreciation and understanding of cultural differences in representation. Emphasizes history of national cinemas, film analysis, and writing.

Diverse Cultures:

Purple

This course introduces students to the close study of performance in the cinema. Through close analysis, we will challenge ourselves to think carefully about the creative contributions of actors to film narratives. Students will be taught how to closely describe, read, and interpret film performances, and will be introduced to critical frameworks for analyzing film acting in its various historical, aesthetic, and socio-cultural contexts. The focus in the course will be primarily on performance in U.S. cinema, although some case studies will also look at performance in international film.

This course examines the major films, filmmakers, movements, and trends that defined cinema throughout its first 65 years as a medium. It utilizes a range of historical lenses--aesthetic, industrial, technological, sociocultural--to offer a fuller understanding of film's development across varying temporal and geographic contexts. To encourage engagement with the construction of cinematic history, the course both engages with primary documents and analyzes scholarly historical work on film's creation and expansion. Ultimately, the class seeks to foster both knowledge of early cinematic history and appreciation for film history as a mode of research and writing.

This course examines the major films, filmmakers, movements, and trends that have defined cinema from the early 1960s to the present. It utilizes a range of historical lenses--aesthetic, industrial, technological, sociocultural--to offer a fuller understanding of film's development across varying temporal and geographic contexts. Utilizing primary documents alongside scholarly historical accounts, it also allows students to conduct research into contemporary titles and make an argument for how they reflect and/or challenge larger historical patterns. Ultimately, the course explores how the state of modern cinema can be contextualized and understood through an engagement with the (relatively) recent filmic past.

Trends in film theory and criticism. Practice in critical analysis. Pre-req: 329 or permission of instructor.

Prerequisites:

FILM 402 or FILM 412

Film Authorship teaches the study of authorship in cinema and other forms of moving-image media. The course focuses on the concept of authorship throughout the history of film studies by looking at the career of one or more film directors. The course explores the careers of the selected director(s) in their varying historical, cultural, ideological, theoretical, and aesthetic contexts. The course may be repeated for credit if the particular director(s) under discussion differ from the previous course the student has taken. The director(s) studied will be listed under Notes in the course schedule whenever the course is offered.

Topic-oriented course in film studies. May be repeated with change of topic.

On-site field experience, the nature of which is determined by the specific needs of the student's program option. May be repeated with change in topic. Pre: Consent of Instructor

Prerequisites:

Consent of instructor

Extensive reading, research, writing and/or film production in an area for which the student has had basic preparation. May be repeated with change in topic. Pre: Consent of instructor

Prerequisites:

Consent of instructor

This course examines the major films, filmmakers, movements, and trends that defined cinema throughout its first 65 years as a medium. It utilizes a range of historical lenses--aesthetic, industrial, technological, sociocultural--to offer a fuller understanding of film's development across varying temporal and geographic contexts. To encourage engagement with the construction of cinematic history, the course both engages with primary documents and analyzes scholarly historical work on film's creation and expansion. Ultimately, the class seeks to foster both knowledge of early cinematic history and appreciation for film history as a mode of research and writing.

This course examines the major films, filmmakers, movements, and trends that have defined cinema from the early 1960s to the present. It utilizes a range of historical lenses--aesthetic, industrial, technological, sociocultural--to offer a fuller understanding of film's development across varying temporal and geographic contexts. Utilizing primary documents alongside scholarly historical accounts, it also allows students to conduct research into contemporary titles and make an argument for how they reflect and/or challenge larger historical patterns. Ultimately, the course explores how the state of modern cinema can be contextualized and understood through an engagement with the (relatively) recent filmic past.

Trends in film theory and criticism. Practice in critical analysis.

Film Authorship teaches the study of authorship in cinema and other forms of moving-image media. The course focuses on the concept of authorship throughout the history of film studies by looking at the career of one or more film directors. The course explores the careers of the selected director(s) in their varying historical, cultural, ideological, theoretical, and aesthetic contexts. The course may be repeated for credit if the particular director(s) under discussion differ from the previous course the student has taken. The director(s) studied will be listed under Notes in the course schedule whenever the course is offered.

Topic-oriented course in film studies. May be repeated with change of topic.

On-site field experience, the nature of which is determined by the specific needs of the students program plan. May be repeated with change in topic. Pre: Consent of Instructor

Extensive reading, research, writing and/or film production in an area for which the student has had basic preparation. May be repeated with change of topic. Pre: Consent of instructor

Fundamental concepts of managing cash flows: preparation of personal budget, personal debt management, financial goal establishment, savings and investments, insurance.

An introduction to finance relating to problems, methods, and policies in financing business enterprise.

Prerequisites:

ACCT 200

Current topics of significance in Finance. May be repeated repeated for credit.